本文发表在 rolia.net 枫下论坛What follows are some comments on suggested recordings culled from two
posts. Only goes to show how tricky things get when you use the word
"standard."
Charles Muntz wrote:
> Mozart -- Symphony Nos. 40, 41: Bruno Walter, Columbia Symphony
Me, I'd opt for Szell/Cleveland over Walter, good as the Walter is.
> Mozart -- Don Giovanni: Giulini, Philharmonia Orchestra
Joseph Krips on London; Dmitri Mitropoulos on Orfeo; Bruno Walter
on an old pirate Met broadcast; Fritz Busch on EMI are among the other
"standard" recs here.
> Beethoven -- Symphony Nos. 5, 7: Carlos Kleiber, Vienna Philharmonic
Standard voice of dissent on my part.
> Bruckner -- Symphony No. 8: Karajan, Vienna Philharmonic
Horenstein/London SO; Furtwaengler/Vienna PO (1944); at least one
Guenter Wand and Eugen Jochum, too, I'm sure.
> Bruckner -- Symphony No. 9: Walter, Columbia Symphony
Me too, but I find myself in a very small minority here.
> Mahler -- Symphony No. 2: Rattle, CBSO
Several Klemperers are also frequently cited.
> Mahler -- Symphony No. 9: Bernstein, Vienna Philharmonic
... or Bernstein/Berlin PO (my personal pref among the Bernsteins),
Jascha Horenstein/London SO 1966 (Music and Arts); Barbirolli/Berlin
PO (EMI); Walter/Vienna PO 1938 (EMI); ...
> Mahler -- Das Lied von der Erde: Walter, Vienna Philharmonic
Others cite Horenstein, which I'm not so keen on, and Klemperer,
which I am.
> Wagner -- Der Ring des Nibelungen: Solti, Vienna Philharmonic
Clemens Krauss/Vienna PO; Hans Knappertsbusch at Bayreuth; several
Furtwaenglers. Not so simple!
From the original Carlos Kleiber thread:
>: In article <336EB717.4...@phoenix.princeton.edu>, Paolo Pesenti
><p...@phoenix.princeton.edu> wrote:
>: >There are a few recordings that meet the near-unanimous-choice criteria.
>: >To mention but ten heterogeneous possibilities:
>: >Beaux Arts in Haydn trios
Does this reflect the superiority of the Beaux Arts or the paucity
of competition? It's been too long since I last heard the recordings
for me to be able to say.
>: >Richter in Schubert Wanderer Fantasie (at a very minimum)
Edwin Fischer, at the least, is also very fine.
>In article <5knjbp$...@news.acns.nwu.edu>, a...@nwu.edu (Anthony Y. So) wrote:
>: I'm not familiar with this recording, but Richter's Sofia Recital Pictures at
>: an Exhibition on Philips is a must.
I would opt for the roughly contemporaneous Budapest over the
Sofia, but we won't quibble on that one.
>: Also, Horowitz playing Schumann's Kreisleriana and the Rach 3.
Rach 3?!? What about David Helfgott?
No, seriously, how about Rachmaninov, Earl Wild, Byron Janis,
Martha Argerich, and I'm sure I'm forgetting at least six more
"standard" recommendations.
On 6 May 1997 19:36:33 GMT, marc...@helix.mgh.harvard.edu (Jeremy
Marcus) wrote:
>Good list! How about:
>Horowitz/Scriabin piano works
Don't forget Richter! (Or Sofronitsky, from what I understand.)
>Furtwangler/Beethoven 9 (1951) - but I still like '54 more!
... and others like '42, and blasphemers like me like (gasp)
Karajan ...
>Bylsma/Bach Cello Suites
Two versions to pick from. Also there's Fournier, Casals,
Rostropovich, ...
>Hollywood 4tet (& friends)/Schubert 5tet and Schoenberg Verklarte Nacht
What little I've heard of the Hollywood recording of the Quintet
left me underwhelmed; I'd still opt for Casals & friends, Alban
Berg/Schiff, or Lindsay/Cummings, myself.
>These two should probably be on the list, but I've not heard them:
>Richter/Prokofiev Piano Sonata #8
Gilels on Melodiya.
>Moravec/Chopin Nocturnes
Tough claim, with recordings on the market by Ignaz Friedman,
Mieczyslaw Horszowski, Dinu Lipatti, ... (but perhaps you were talking
about a complete set).
>And runner-up: Gilels playing the Appassionata, Waldstein, and Les Adieux.
Richter (for me, but hardly for everyone) in the Appassionata,
though I'm agreed on the Waldstein tip o' the hat.
>Nowhere to my knowledge is such a stunning LvB sonata
>compilation available on one disc.
I'll have to think about that one ... (might make an argument for
the London disc whose "compilation" is Arturo Benedetti Michelangeli
in Op. 111).
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